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Stories of the human voice - CONFERENCE

We all use our voices to communicate, sing, whisper, laugh, cry ...

But?

• How and when that voice has it distinguished the cries of animals?
• How does this instrument " inside "and how the grant?
• Why we sometimes remain "voiceless"? Or why do we say that our voice betrays us?
• Why is it harder to sing than speak in public?
• And why some voices move us to tears-they?
• ...

The conference will conclude with a small workshop for those who want to experience their beautiful instrument.

Hosted by Karla Dean, opera singer, psychologist of the spoken and sung, actress ...

Wednesday September 8 6:30 p.m. Abbey Caunes Minervois

Friday September 10 6:30 p.m. City Hall Lagrasse

FREE ENTRY

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ARTISTIC EXPRESSION - FORM OR SUBSTANCE?

Voice: gated sing tones or vehicle for the expression deep to be?

me came a few thoughts about the song, transpose it seems to me like in any artistic expression, even to life ... ...

Two ways of conceiving the song (dance, painting, theater ...):

One that is based on form, the other on the vital flow. Let me explain

:

What I call "singing form":

We are facing a form: a score, a song on a record, other than ... we want to "run". We will interpret, play, explain this form. We'll arrange the various elements according to the codes, conventions, habits, rules ... Our voice will be used as an object that is polished so that its appearance is consistent with expectations, and that it "sticks" to an aesthetic, a mode. It is subservient to sing the notes. We're

and service to our tech to accomplish this feat. Our

"Judge Mental" will be present to check that everything goes well in the pre-established mold.

We are an abstraction, a "bubble of illusion" of sorts, a dream that we have built with our mind.

This is an intellectual approach, which may give some satisfaction to both plan and perfection of form. (Most of the time we do not reach our expectations ...)

portion of our body is our most requested head - left brain.

This song is an expression of our " existential. "

What I call "the song of the vital flow"

We are present to ourselves, here and now. We are aware of our breathing, our heart beat, our body is alive. We are trying to silence within ourselves by letting the mind (the one that says, judge, compare ... - when it points its nose, we look pass like a cloud in the sky.)

We

welcome the air we breathe: we leave inspired. By listening to the silence inside is done with each breath, we prepare the instrument that we (the voice = subject), we remove the tensions that prevent it from sounding good.

In this silence, the vital flow rises, making us vibrate as the body-instrument. "The vase gives form to the emptiness and the music in silence" - Georges Braque.

This vital, as the sap of a tree, find the path to the form. It creates the form. As the tree as a whole is contained in the seed, the shape is contained in the force.

Instead of singing in rehearsal what we know, every sound we emit is new, since it arises in the moment by a pulse dynamic that is more "I" sing, but "CA" sings. Thus, the course of the work, the event does not belong to what is predictable, expected (which may be feared - mind), but the unexpected, to surprise. The technical service will be the momentum of life.

The "sound" disappears, giving way to "be." The judge was silent and we welcome what is present, real, tangible, making "one" (body, mind, sound) The term

sound emitted by the vibrating body will affect the other, because it is "expression of essential being."

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Unison - Yoga

22/01/10
this morning by my excercices Chi-Quong outside in the sun, a flash came to me that really touched me and I want to share.
Subject: finding harmony between oneself and outside oneself (others, nature ...)
For a moment I experienced that when a group sings Unison leader in listening to others, this unison is difficult to obtain. By cons, when the group sang a unison by listening to vibrate in unison inside ... a nice moves!
From the inside we perceive our own vibration and that of others, and we try to put ourselves spontaneously "in tune", thereby enhancing the vibration of the other. The result is a sound fuller, more enveloping. By directing our listening to each other, but forgetting to really listen to itself, this "agreement" can be obtained.
This morning I became aware of the extension of the concept of harmony of sounds and harmony at all.
We can not get that beautiful harmony with what surrounds us, that if we truly listen to ourselves ... if we are to present ourselves. Ie, lorqui we relate to our essential being.
Without listening to our depth, we "manufacture" a harmony from our imagination. We try to create something with the "idea" that inspires the concept of harmony, but without the experience ....
How to listen to our essential being? For example, in a vacuum inside, leaving aside all ideas parading "100 per hour. How? listening to our inner silence with each breath, so we are inspired.
Imagine a guitar that fills a lot of things: rags, nails, boxes, paper ... it really does not sound right?
With human beings that we are is the same: all the ideas, ruminations, concerns which we live, often despite ourselves, prevent us from vibrating, which is more: to vibrate in unison and be harmony.